Recenzje

  • Ben Brantley, THE NEW YORK TIMES

    Big hotels can be creepy, even when they’re not swarming with cultish conventioneers. Just think of the Overlook in the 1980 movie “The Shining,&...

  • Jeremy M. Barker, CULTUREBOT

    Downstage-right on Malgorzata Szczesniak’s marvelous set – which has all the tyrannical lines of a de Chirico painting, without the calming pe...

  • Miriam Felton-Dansky, THE VILLAGE VOICE

    Towards the end of Festen—TR Warszawa’s elegant, bleak stage adaptation of the 1998Thomas Vinterberg film—the character charged with...

  • Frank Scheck, NEW YORK POST

    ‘I sense bad vibes,” someone says early on in “Festen (The Celebration),” and, boy, is she on target, as a 60th-birthday party turns into ...

  • Chris Companek, THEATERMANIA

    Polish theater company TR Warszawa has a knack for staging productions that sear themselves into your mind. Their signature sets, barren yet strangely epic, are ...

  • Michael Billington, GUARDIAN

    In the course of its journey from screen to stage, this celebrated Danish film has undergone a profound seachange. Thomas Vinterberg's prize-winning movie, made ...

  • Maryla Zielińska, THE THEATRE IN POLAND

    After two successive not very well received premieres - Doctor Faustus and Prince Myshkin - Grzegorz Jarzyna, the director who made the most brilliant...

  • Alain Riou, LE NOUVELE OBSERVATOUR

    Grzegorz Jarzyna, guru of young polish theatre, presents on stage marvelous version of Thomas Vinterberg's movie. Alain Riou saw a play before it arrived t...

  • Piotr Gruszczyński, TYGODNIK POWSZECHNY

    The programme for the performance contains sociological studies, concerning the sexual abuse of children in Poland. However, The Celebration is also a...

  • Roman Pawłowski, GAZETA WYBORCZA

    The latest performance of Grzegorz Jarzyna, who this time appears under the pseudonym H7, is a shocking accusation of the society entangled in a web of lies....